Lines Matching +full:- +full:- +full:raw +full:- +full:output

3 lame \- create mp3 audio files
12 To read from stdin, use "\-" for <infile>.
13 To write to stdout, use "\-" for <outfile>.
17 .B \-r
18 Assume the input file is raw pcm.
22 with a bitwidth of 16 and stored in little-endian.
24 .B \-r,
31 .B \-x
32 Swap bytes in the input file (or output file when using
33 .B \-\-decode).
40 .B \-x,
43 .BI \-s " sfreq"
47 Required only for raw PCM input files.
53 .BI \-\-bitwidth " n"
59 Required only for raw PCM input files.
62 .BI \-\-signed
64 for 16, 24 and 32 bits raw pcm data).
66 Required only for raw PCM input files.
68 .BI \-\-unsigned
70 for 8 bits raw pcm data, where 0x80 is zero).
72 Required only for raw PCM input files
75 .BI \-\-little-endian
76 Instructs LAME that the samples from the input are in little-endian form.
78 Required only for raw PCM input files.
80 .BI \-\-big-endian
81 Instructs LAME that the samples from the input are in big-endian form.
83 Required only for raw PCM input files.
85 .B \-\-mp1input
92 .B \-\-mp2input
99 .B \-\-mp3input
109 .BI \-\-nogap " file1 file2 ..."
112 .BI \-\-nogapout " dir"
113 output dir for gapless encoding (must precede \-\-nogap)
115 .BI \-\-out-dir " dir"
116 If no explicit output file is specified, a file will be written at given path.
122 .BI \-m  " mode"
126 Joint-stereo is the default mode for stereo files. 
144 the mid (L+R) and side (L-R) channels are encoded,
175 Also note that, if using a stereo RAW PCM stream, you need to use the -a parameter.
190 .B \-a
196 This option is only needed in the case of raw PCM stereo input
198 To encode a stereo RAW PCM input file as mono,
200 .B lame \-a \-m m
204 .B \-m m
207 .B \-\-freeformat
211 .B \-b
233 .B \-\-decode
240 .B \-t
242 LAME will output raw pcm in native endian format.
244 .B \-x
251 .BI \-t
260 .B \-\-decode
263 The output will be raw pcm,
266 .B \-x
269 .BI \-\-comp " arg"
274 .BI \-\-scale " n"
277 .BI \-\-scale\-l " n"
279 .BI \-\-scale\-r " n"
300 .B \-\-replaygain\-fast
324 .B \-\-replaygain\-accurate, \-\-noreplaygain
326 .B \-\-replaygain\-accurate
344 because the data on the output of a lossy compression/decompression sequence
347 .B \-\-replaygain-accurate
368 .B \-\-replaygain-accurate
387 ReplayGain analysis is performed on the input data after user-specified
391 .B \-\-replaygain-fast, \-\-noreplaygain \-\-clipdetect
394 .B \-\-noreplaygain
400 .B \-\-replaygain-fast, \-\-replaygain-accurate
402 .B \-\-clipdetect
406 .B \-\-replaygain-accurate
415 .B \-\-replaygain-accurate
417 .B \-\-preset " type | [cbr] kbps"
418 Use one of the built-in presets.
422 .B \-\-preset help
425 .B \-\-noasm " type"
440 .BI \-\-disptime " n"
443 .B \-\-nohist
450 .B -S
453 .B \-\-silent
455 .B \-\-quiet
459 .B \-\-verbose
462 .B \-\-help
468 .BI -q " qual"
482 .B -q 0:
486 .B -q 1 to q 4:
488 Similar to -q 0 without the full outer loop and decreasing precision of parameters the further from…
490 .B -q 5 and -q 6:
492 Same as -q 7, but enables noise shaping and increases subblock gain
494 .B -q 7 to -q 9:
496 Same as -f. Very fast, OK quality. Psychoacoustics are used for pre-echo and mid/side stereo, but n…
500 .B -q 0 to -q 4:
504 .B -q 5 and -q 6:
506 include all features of -q7, calculate and consider actual quantisation noise, and additionally ena…
508 .B -q 7 to -q 9
514 .B -h
516 .B -q 2
518 .B -f
520 .B -q 7
526 .BI -b  " n"
527 For MPEG-1 (sampling frequencies of 32, 44.1 and 48 kHz)
532 For MPEG-2 (sampling frequencies of 16, 22.05 and 24 kHz)
537 For MPEG-2.5 (sampling frequencies of 8, 11.025 and 12 kHz)
545 .BI \-\-cbr
552 .BI \-\-abr " n"
557 is 8 - 310,
561 .B -b
563 .B -B
565 .B lame \-\-abr
567 .B -b
569 .B -B
574 .B -B
586 .B -v
588 .B (\-\-vbr-new)
590 .B \-\-vbr-old
599 .B \-\-vbr-new
604 .B \-\-vbr-old. 
606 .B \-\-vbr-old
609 .BI -V " n"
622 .BI -b " bitrate"
623 For MPEG-1 (sampling frequencies of 32, 44.1 and 48 kHz)
628 For MPEG-2 (sampling frequencies of 16, 22.05 and 24 kHz)
633 For MPEG-2.5 (sampling frequencies of 8, 11.025 and 12 kHz)
643 .BI -B " bitrate"
644 For MPEG-1 (sampling frequencies of 32, 44.1 and 48 kHz)
649 For MPEG-2 (sampling frequencies of 16, 22.05 and 24 kHz)
654 For MPEG-2.5 (sampling frequencies of 8, 11.025 and 12 kHz)
664 .B -F
666 .B -b
680 .BI -X " n"
690 .B -X
692 .B -X0
695 .B -X0 
705 .B -X1
710 .B -X2
715 .B -X3
721 .B -X4
725 .B -X5
733 .B -X6 
743 .B -X7 
753 .B -Y
759 .BI -e " emp"
773 Then the mp3 decoder should de-emphasize the output during playback,
776 A better solution would be to apply the de-emphasis with a standalone
779 .B -e. 
781 .B -c
784 .B -o
787 .B -p
797 .B \-\-nores
802 .B \-\-strictly-enforce-ISO
813 .BI \-\-lowpass " freq"
817 .BI \-\-lowpass-width " freq"
821 .BI \-\-highpass " freq"
825 .BI \-\-highpass-width " freq"
829 .BI \-\-resample " sfreq"
833 Select output sampling frequency (only supported for encoding).
841 .BI \-\-tt " title"
844 .BI \-\-ta " artist"
847 .BI \-\-tl " album"
850 .BI \-\-ty " year"
853 .BI \-\-tc " comment"
854 user-defined text (max 30 chars for v1 tag, 28 for v1.1)
856 .BI \-\-tn " track[/total]"
861 .BI \-\-tg " genre"
864 .BI \-\-tv " id=value"
865 Text or URL frame specified by id and value (v2.3 tag). User defined frame. Syntax: \-\-tv "TXXX=de…
867 .B \-\-add-id3v2
870 .B \-\-id3v1-only
873 .B \-\-id3v2-only
876 .B \-\-id3v2-latin1
877 add following options in ISO-8859-1 text encoding.
879 .B \-\-id3v2-utf16
882 .B \-\-space-id3v1
885 .B \-\-pad-id3v2
886 same as \-\-pad-id3v2-size 128
888 .B \-\-pad-id3v2-size "num"
891 .B \-\-genre-list
894 .B \-\-ignore-tag-errors
900 .B \-g
961 .B \-\-preset
968 .B \-\-preset medium
971 .B \-\-preset standard
975 .B \-\-preset extreme
982 .B \-\-preset
985 .B \-\-preset insane
992 .B \-\-preset " kbps"
1011 .B \-\-preset cbr " kbps"
1021 .B lame \-b
1027 .B lame \-q 0 \-b
1034 .B lame \-m
1038 Variable bitrate (use \-V n to adjust quality/filesize):
1040 .B lame \-V
1044 Streaming mono 22.05 kHz raw pcm, 24 kbps output:
1048 .B | lame \-r \-m
1050 .B \-b
1052 .B \-s
1053 .I 22.05 \- \-
1055 .I output
1058 Streaming mono 44.1 kHz raw pcm,
1063 .B | lame \-r \-m
1065 .B \-b
1067 .B \-\-resample
1068 .I 22.05 \- \-
1070 .I output
1077 .B lame \-\-preset standard
1092 GPSYCHO psycho-acoustic model by Mark Taylor.